Moon: Difference between revisions

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===Other names===
===Other names===
==Inspirations==
==Inspirations==
The Moon has been both a male and a female deity or personification in the world's mythologies. For example in Greek and Roman religions, the Moon was linked to the female element and lunar deities were female. This was not the fact with the Germanic mythology, from which Tolkien drew his main inspiration, where the Moon is a male entity. This is mirrored in that [[Tilion]] is a male [[Maia]] (like [[Uolë Kúvion]]), and the existence of the [[Man in the Moon]] in Hobbit folklore.
The Moon has been connected both to a male and a female deity (or personification) in the world's mythologies. For example in Greek and Roman religions, the Moon was linked to the female element and lunar deities were female. This was not the fact with the Germanic mythology, from which Tolkien drew his main inspiration, where the Moon is a male entity, like the Old Norse [[Wikipedia:Máni|Máni]]. This is mirrored in that [[Tilion]] is a male [[Maia]] (like [[Uolë Kúvion]]), and the existence of the [[Man in the Moon]] in Hobbit folklore.


==Other versions of the legendarium==
==Other versions of the legendarium==

Revision as of 20:11, 28 February 2009

"...It is a long tale..." — Aragorn
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Moon
File:Legolas arrow ringwraith viv lotr.JPG
Other namesIthil, Rána, Isíl, Phainakelūth, Nīlū
Locationthe sky
"The round Moon rolled behind the hill,
as the Sun raised up her head.
She hardly believed her fiery eyes;
For though it was day, to her surprise
they all went back to bed!
"
The Man in the Moon Stayed Up Too Late[1]

Ithil, the Moon, was a celestial object seen in the skies of Arda at night.

History

Origin

After the Darkening of Valinor and the destruction of the Two Trees, Telperion the White Tree bore one last Flower of Silver before its end. Aulë and his people made a vessel to carry to the silver flower aloft, and Tilion, one of the hunters of Oromë; was granted the task of steering the new Moon through the sky.

In the skies of Arda

Tilion guided his charge up into the western skies just as the Noldor were returning into Middle-earth, and so marked the beginning the First Age. The Moon first rose above Valinor in the far West of the World, but Varda came to change this arrangement, so that the Moon would pass beneath the World, and arise in the east instead, as it does to this day.

According to the legends of the Elves, Tilion was an unsteady steersman, sometimes dwelling overlong beneath the Earth, or appearing in the sky at the same time as the Sun. He was drawn to the bright new Sun, launched from Valinor shortly after his own vessel, and his coming too close to his fiery companion was said to account for the darkening of the Moon's face.

Downfall in the Dagor Dagorath

Legacy

Elves

Númenóreans

For the Númenóreans, the Sun and the Moon - Ûri and Nîlû, called collectively also Ûriyat ("two suns") or Ûrinîl(uw)at ("two sun-moon") - were personified entities, the Man in the Moon and the Lady in the Sun.[2] They were the chief heavenly lights, and the enemies of the eternal Dark.[3]

This notion was carried over to Gondor, where the sons of Elendil each had either of the lights in his name: Isildur and Anárion, and with them their cities Minas Anor and Minas Ithil, and the lands that lay about them, Ithilien and Anórien.[3]

Hobbits

In Hobbit folklore, the moon was imagined to be a man: the Man in the Moon.

Dwarves

Moon Calendar

Etymology

The oldest recorded name of the Moon was its Valarin name, Phanaikelūth. This was said to mean "bright mirror";[4] making it the only name to accurately describe the origin of moonlight. The Eldarin tongues Quenya, Sindarin and Doriathrin call it "the Sheen"; Isil, Ithil and Istil respectively. Both stem from a root SIL or THIL, "to shine white", intensified by a prefix.[5]

Other names

Inspirations

The Moon has been connected both to a male and a female deity (or personification) in the world's mythologies. For example in Greek and Roman religions, the Moon was linked to the female element and lunar deities were female. This was not the fact with the Germanic mythology, from which Tolkien drew his main inspiration, where the Moon is a male entity, like the Old Norse Máni. This is mirrored in that Tilion is a male Maia (like Uolë Kúvion), and the existence of the Man in the Moon in Hobbit folklore.

Other versions of the legendarium

Early concepts

In the early versions of The Silmarillion as described in The Book of Lost Tales Part 1, a part of the History of Middle-earth series, the Moon was described in great detail as an immense island of crystal. It was also said there that the youth Tilion was said to secretly be in love with Arien, the maiden who guided the Sun, and that because he steered the Moon too close to the Sun the Moon was burned, causing the darker spots on the Moon which in reality are caused by the great basalt plains known as Lunar maria.

The Man in the Moon is even described in those writings, as being an old Elf who secretly hid on the island of the Moon, and built his minaret there. This is alluded to further in Tolkien's Roverandom, where the Man in the Moon also lives in a Minaret.

In writings which are older than the material from which the publised Silmarillion was drawn, the Moon was described at one point rather as being created by Morgoth as a mockery of Arda the world, but this notion was abandoned.

Later concepts

In the Round World version of the legendarium, the Sun and the Moon were not the fruit of the Two Trees, but actually preceded the creation of the Trees. Instead, the Trees preserved the light of the Sun before it was tainted by Melkor when he ravished Arien.

Portrayal in Adaptations

1978: Ralph Bakshi's The Lord of the Rings:

The moon appears in the background of various scenes. In a notable animation error, it is visible behind both Frodo and Boromir when the latter tries to persuade Frodo to give the Ring at Amon Hen.[6]

2002: Vivendi's The Fellowship of the Ring:

The Moon - or rather, an image of the near side of the moon in the plenilune - is used as a backdrop for scenes playing at night, and appears recognizably in the sky in cut scenes. It appears behind Strider as he finds Merry in the streets of Bree,[7] behind the Watcher in the Water, [8] and behind the fell beast in the final cut scene.[9]

See also

References