Tolkien's Modern Middle Ages: Difference between revisions
From Tolkien Gateway
m (Added {{title}}) |
m (delinked) |
||
| Line 2: | Line 2: | ||
title=Tolkien's Modern Middle Ages| | title=Tolkien's Modern Middle Ages| | ||
image=[[Image:Tolkien's Modern Middle Ages.jpg|225px]]| | image=[[Image:Tolkien's Modern Middle Ages.jpg|225px]]| | ||
author=[[Jane Chance]], | author=[[Jane Chance]], Alfred K. Siewers (eds.)| | ||
isbn=1403969736| | isbn=1403969736| | ||
publisher=Palgrave Macmillan| | publisher=Palgrave Macmillan| | ||
| Line 12: | Line 12: | ||
}} | }} | ||
'''Tolkien's Modern Middle Ages''' is a collection of essays edited by [[Jane Chance]] and | '''Tolkien's Modern Middle Ages''' is a collection of essays edited by [[Jane Chance]] and Alfred K. Siewers. | ||
==From the Publisher== | ==From the Publisher== | ||
[[J.R.R. Tolkien]] delved into the Middle Ages to create a critique of the modern world in his fantasy, yet did so in a form of modernist literature with postmodern implications and huge commercial success. These essays examine that paradox and its significance in understanding the intersection between traditionalist and counter-culture criticisms of the modern. The approach helps to explain the popularity of his works, the way in which they continue to be brought into dialogue with twenty-first century issues, and their contested literary significance in the academy. | [[J.R.R. Tolkien]] delved into the Middle Ages to create a critique of the modern world in his fantasy, yet did so in a form of modernist literature with postmodern implications and huge commercial success. These essays examine that paradox and its significance in understanding the intersection between traditionalist and counter-culture criticisms of the modern. The approach helps to explain the popularity of his works, the way in which they continue to be brought into dialogue with twenty-first century issues, and their contested literary significance in the academy. | ||
| Line 19: | Line 19: | ||
* Preface and Acknowledgments | * Preface and Acknowledgments | ||
* Abbreviations | * Abbreviations | ||
* [[Jane Chance]] and | * [[Jane Chance]] and Alfred K. Siewers: "Introduction: Tolkien's Modern Middle Ages?" | ||
* [[Verlyn Flieger]]: "A Postmodern Medievalist" | * [[Verlyn Flieger]]: "A Postmodern Medievalist" | ||
* [[Gergely Nagy]]: "The Medievalist's Fiction" | * [[Gergely Nagy]]: "The Medievalist's Fiction" | ||
* [[John R. Holmes]]: "Tolkien, Dustsceawung, and the Gnomic Tense" | * [[John R. Holmes]]: "Tolkien, Dustsceawung, and the Gnomic Tense" | ||
* | * John Hunter: "The Reanimation of Antiquity and the Resistance to History: Macpherson-Scott-Tolkien" | ||
* | * Andrew Lynch: "Archaism, Nostalgia, and Tennysonian War in The Lord of the Rings" | ||
* [[Chester N. Scoville]]: "Pastoralia and Perfectibility in Tolkien and William Morris" | * [[Chester N. Scoville]]: "Pastoralia and Perfectibility in Tolkien and William Morris" | ||
* | * Deidre Dawson: "English, Welsh, and Elvish" | ||
* | * Rebekah Long: "Fantastic Medievalism and the Great War in Tolkien's The Lord of the Rings and David Jones's In Parenthesis" | ||
* | * Alfred K. Siewers: "Tolkien's Cosmic-Christian Ecology" | ||
* | * Brian McFadden: "Fear of Difference, Fear of Death" | ||
* [[Jane Chance]]: "Tolkien and the Other" | * [[Jane Chance]]: "Tolkien and the Other" | ||
* [[Ted Nasmith]]: "Similar but not Similar" | * [[Ted Nasmith]]: "Similar but not Similar" | ||
Revision as of 13:32, 21 January 2015
| Tolkien's Modern Middle Ages | |
|---|---|
 | |
| Author | Jane Chance, Alfred K. Siewers (eds.) |
| Publisher | Palgrave Macmillan |
| Released | October 27, 2005 |
| Format | Hardcover |
| Pages | 264 |
| ISBN | 1403969736 |
Tolkien's Modern Middle Ages is a collection of essays edited by Jane Chance and Alfred K. Siewers.
From the Publisher
J.R.R. Tolkien delved into the Middle Ages to create a critique of the modern world in his fantasy, yet did so in a form of modernist literature with postmodern implications and huge commercial success. These essays examine that paradox and its significance in understanding the intersection between traditionalist and counter-culture criticisms of the modern. The approach helps to explain the popularity of his works, the way in which they continue to be brought into dialogue with twenty-first century issues, and their contested literary significance in the academy.
Contents
- Preface and Acknowledgments
- Abbreviations
- Jane Chance and Alfred K. Siewers: "Introduction: Tolkien's Modern Middle Ages?"
- Verlyn Flieger: "A Postmodern Medievalist"
- Gergely Nagy: "The Medievalist's Fiction"
- John R. Holmes: "Tolkien, Dustsceawung, and the Gnomic Tense"
- John Hunter: "The Reanimation of Antiquity and the Resistance to History: Macpherson-Scott-Tolkien"
- Andrew Lynch: "Archaism, Nostalgia, and Tennysonian War in The Lord of the Rings"
- Chester N. Scoville: "Pastoralia and Perfectibility in Tolkien and William Morris"
- Deidre Dawson: "English, Welsh, and Elvish"
- Rebekah Long: "Fantastic Medievalism and the Great War in Tolkien's The Lord of the Rings and David Jones's In Parenthesis"
- Alfred K. Siewers: "Tolkien's Cosmic-Christian Ecology"
- Brian McFadden: "Fear of Difference, Fear of Death"
- Jane Chance: "Tolkien and the Other"
- Ted Nasmith: "Similar but not Similar"
- Michael N. Stanton: "Tolkien in New Zealand: Man, Myth, and Movie"
- Bibliography
- Contributors
- Index
